Showing 81–96 of 118 results
Showing 81–96 of 118 results
"Nothing Wasted". 2018, charcoal on paper. 5"x7". It was March 2016 and I was walking along a beach in James Bay when I noticed the leftovers of a beach fire someone had set. For some reason the charcoal looked beautiful to me, it reminded me of a crow wing or feathers. I went to have a closer […]
"Occlusions". 2018, mixed media on paper. 8"x10". In my twenties, and working on my degree at York University, I discovered that what I really love about serigraphy is the ability to lay down broad areas of flat colour. I took to using silkscreens to making pictures through repeated prints – and partial prints – layering […]
"Occlusions". 2018, mixed media on paper. 8"x10". In my twenties, and working on my degree at York University, I discovered that what I really love about serigraphy is the ability to lay down broad areas of flat colour. I took to using silkscreens to making pictures through repeated prints – and partial prints – layering […]
"Occlusions". 2018, mixed media on paper. 8"x10". In my twenties, and working on my degree at York University, I discovered that what I really love about serigraphy is the ability to lay down broad areas of flat colour. I took to using silkscreens to making pictures through repeated prints – and partial prints – layering […]
"Occlusions". 2018, mixed media on paper. 11"x14". In my twenties, and working on my degree at York University, I discovered that what I really love about serigraphy is the ability to lay down broad areas of flat colour. I took to using silkscreens to making pictures through repeated prints – and partial prints – layering […]
"Progressions". 2018, mixed media on paper. 11"x14". The name of this series comes from the progressive layering of thin layers of ink. I’d done a lot with progressive darkening using thin washes of translucent pigments. What I hadn’t experimented with before was thin layers of light, opaque colours. For some reason, I had this idea in my […]
"Quiet Insistence". 2018, acrylic on paper. 5"x7". Among all the big, bright, brash American art of the 60s and 70s in the contemporary galleries of the AGO, one of Agnes Martin’s paintings stood out to me with a quiet insistence that still surprises me. This series is an homage to Agnes Martin, and the beauty and power that […]
"Quiet Insistence". 2018, acrylic on paper. 5"x7". Among all the big, bright, brash American art of the 60s and 70s in the contemporary galleries of the AGO, one of Agnes Martin’s paintings stood out to me with a quiet insistence that still surprises me. This series is an homage to Agnes Martin, and the beauty […]
"Quiet Insistence". 2018, acrylic on paper. 5"x7". Among all the big, bright, brash American art of the 60s and 70s in the contemporary galleries of the AGO, one of Agnes Martin’s paintings stood out to me with a quiet insistence that still surprises me. This series is an homage to Agnes Martin, and the beauty […]
"Quiet Insistence". 2018, acrylic on paper. 8"x10". Among all the big, bright, brash American art of the 60s and 70s in the contemporary galleries of the AGO, one of Agnes Martin’s paintings stood out to me with a quiet insistence that still surprises me. This series is an homage to Agnes Martin, and the beauty and power that […]
"Redactions". 2023, mixed media on paper. 8"x10". In a moment of inspiration, I took a black magic marker to them to remove all the parts I found objectionable or simply didn’t like. I found the process really empowering and also very playful. Who but a child would have the temerity to just take apart these […]
"Redactions". 2023, mixed media on paper. 8"x10". In a moment of inspiration, I took a black magic marker to them to remove all the parts I found objectionable or simply didn’t like. I found the process really empowering and also very playful. Who but a child would have the temerity to just take apart these […]
"Redactions". 2023, mixed media on paper. 8"x10". In a moment of inspiration, I took a black magic marker to them to remove all the parts I found objectionable or simply didn’t like. I found the process really empowering and also very playful. Who but a child would have the temerity to just take apart these […]
"Redactions". 2023, mixed media on paper. 8"x10". In a moment of inspiration, I took a black magic marker to them to remove all the parts I found objectionable or simply didn’t like. I found the process really empowering and also very playful. Who but a child would have the temerity to just take apart these […]
"Redactions". 2023, mixed media on paper. 8"x10". In a moment of inspiration, I took a black magic marker to them to remove all the parts I found objectionable or simply didn’t like. I found the process really empowering and also very playful. Who but a child would have the temerity to just take apart these […]
"Redactions". 2023, mixed media on paper. 8"x10". In a moment of inspiration, I took a black magic marker to them to remove all the parts I found objectionable or simply didn’t like. I found the process really empowering and also very playful. Who but a child would have the temerity to just take apart these […]
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I gratefully acknowledge that the place I work is situated on the unceded lands of the lək̓ʷəŋən People, known today as the Esquimalt and Songhees Nations, who have hunted and gathered here for thousands of years, and whose relationship to the land continues to this day.